Moro’s artistic practice through installations and designs revolves around the same theme: revealing the act of seeing and highlighting the beauty and fragility of the very action of looking. In a world saturated with images, each of his works offers a moment of calm and silence, where the gaze can rest.
The sculptures he produces have the capacity to project light, including shadows of other objects or of the space itself that contains them, without the intention of creating figurative images. The objective is always to balance vision and reality, using simple elements to amplify reflection on perception, space, time, and movement.
Pushing our cognitive structures to their maximum tension reveals the complementarity between ourselves and the world, mediated by an idea of perception and the search for absolute visibility. Much of our culture is based on what we see, so working with light is working with our understanding of the world.
In my practice as a sculptor, my primary raw material is the aesthetic and sensory characteristics of light. My work emerges from a constant dialogue between the three-dimensionality of sculpture—artifacts and volume—and projection, interface, and flatness.
I develop transparent sculptures in the sense that the mechanism and function are evident to the attentive viewer. My works are open and adaptable to different contexts and spaces, interacting with them thanks to the malleability of the light they project. The main objective of my work is to provide observational tools that allow the unhurried contemplation of everyday, natural phenomena that may seem minor, yet have great sensory impact.
My projects involve extensive material investigations that unfold over the years, generating different derivations and developing into different objects, always advancing toward greater technical and aesthetic refinement. Through spatial interventions, I create small, intimate worlds that open intangible spaces for reflection. After years of experimentation, I have achieved strong control and mastery over the aesthetic and sensory characteristics of light, allowing me to draw attention to the minute and overlooked, transforming them into experiences of profound impact.
